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The Gates

Mock Power with Music

A Global Remixable Musical Antidote against Autocrats.

“…Dictators hate people who laugh at them. It’s easy for them to destroy people who resist them. But if you create jokes against them, write funny poems or articles against them, then they feel helpless and desperate. They can’t do anything….”

Burhan Sönmez President of PEN International
 

TYRANTS & SAINTS

“When Heaven launches a controversial soul-redemption program, the Gatekeeper—a rule-bending celestial bureaucrat—conspires with the deeply cynical Chief of the Underworld to sabotage it by recruiting history’s most notorious tyrants, unleashing a relentlessly revealing, wickedly absurd, and immortal-powered musical comedy.”

This musical pulls no punches—it’s darkly funny, biting, and unapologetically satirical. Think Yes, Minister on steroids, where every line drips with irony and every song is a sharp jab at the machinery of power. It’s designed to mock the absurdities of authoritarian rule by using the same tools autocrats have always feared most: humor, music, and public storytelling. Through laughter, it exposes the well-worn playbooks used by dictators throughout history—mechanisms dissected in works like The Origins of Totalitarianism, The Dictator’s Handbook, and 1984, but here turned into something accessible, performable, and viral.

The Gates
A Musical ANTIDOTE for the World

This musical is built to be radically adaptable—an open stage for satire that anyone, anywhere can perform with minimal setup. The story revolves around four core characters who encounter a rotating cast of local autocrats, allowing each production to customize the show to reflect its own social or political landscape. By turning authoritarian figures into objects of humor, the musical aims to erode fear through laughter, empowering communities to reframe power with creativity and wit.